![]() It’s a phenomenon that’s transferred to UK rap and grime acts too. And their third appearance at the festival was cut short after the group dashed their mics on the floor and stormed offstage. The following day, Tyler suffered his own nasal injury after a fan clocked him with a bottle of Mountain Dew. At one show, Hodgy threw himself from the roof of the venue and Tyler broke a fan’s nose after leaping from a speaker stack into the crowd. In their early years, the then-adolescent group were eager to disrespect the elder generation’s rules, and their skater-punk aesthetic swept up audiences at the 2011 outing of the SXSW industry showcase. This latest evolution of rap’s relationship with moshing and stage diving arguably began with Odd Future – the rebellious DIY rap crew that birthed Tyler, The Creator, Frank Ocean, Hodgy Beats, Earl Sweatshirt and Syd and Matt Martians of The Internet. While hip-hop gigs used to see fans casually nod their heads, in recent years acts like Lil Uzi Vert, Playboi Carti, Young Thug, Danny Brown, A$AP Mob, and Migos have been at the vanguard of a cultural shift that’s seen rap acts adopting performance styles more commonly associated with punk and metal bands – and they’ve often embraced the rockstar aesthetic too. It’s probably no coincidence that the rise of moshpits at rap shows has coincided with the genre’s shift away from the slick boom-bap style beat that underpinned most hip-hop songs for decades, and towards the more intense, bass-driven trap sound. While the presence of moshpits at hip-hop gigs can be traced back as far as the late ’80s, with acts like Beastie Boys stage-diving while playing to crossover crowds of rap and rock fans, and Onyx celebrating slam dancing (an early name for moshing) back in ’93, it’s only in this decade that moshing has become a constituent part of nearly any rap event you go to. The film’s opening scenes are a seemingly endless reel of fans throwing themselves from the stage to the crowd, surfing on top of one another, and opening up circle pits before charging into each other at full pelt. But perhaps, Stromberg told New Scientist, you could use this model to see how people behave and use that information to better design emergency exits or aid.It only takes a few minutes of Look Mom I Can Fly – the Travis Scott-produced documentary about his own rise to fame – to realise where the inspiration for the title came from. Scientists can’t really study how people behave in those situations without raising ethical questions. Which is interesting for connoisseurs of mosh pits, but perhaps more useful in situations where crowds need help, like earthquakes or fires. They found that by tweaking their model parameters – decreasing noise or increasing the tendency to flock, for instance – they could make the pit shift between the random-gas-like moshing and a circular vortex called a circle pit, which is exactly what they saw in the YouTube videos of real mosh pits. New Scientist explains what we’re seeing here: Then they took videos of mosh pits off YouTube and built a model of the behavior. ![]() Individuals bash into one another, bounce off and fly around in a seemingly random pattern. I was amazed at what I saw.”įrom the sidelines, he realized that the mosh pit looked a lot like a mass of atoms. “I’m usually in the mosh pit, but for the first time I was off to the side and watching. “I didn’t want to put her in harm’s way, so we stood off to the side,” he says. The whole thing started when a graduate student, Jesse Silverberg, took his girlfriend to a metal concert. Researchers at Cornell University built a model of these metal heads and realized that they could use it not just to understand the behavior of fans but also, perhaps, the behavior of individuals in emergencies. It turns out that mosh pits behave a lot like a container of gas, with each individual acting as an atom. Moshers might have more to offer society than you once thought.
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